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Adobe after effects cs5 classroom in a book pdf free. Adobe After Effects CS5 classroom in a book : the official training workbook from Adobe Systems
You can customize presets by changing the option values and keyframe locations. You can use them to create some wild, animated art or to add animation or images to video in rotoscope style.
Working with paint tools is slightly different from working with text tools. When you create text, you automatically create a new layer in the Timeline panel and you work directly in the Composition panel.
With paint tools, you create a composition layer and work on that layer in the Layer panel. To use the paint tools: 1. In the Composition Settings dialog box, name the composition Paint Tools, select an appropriate video preset, accept the other defaults, and click OK. The Solid Settings dialog box appears Figure Select a color and click OK to close the Solid Settings dialog box.
Double-click the solid layer in the Timeline panel. The Layer panel appears, with the solid color layer displayed in it Figure The Paint and Brushes panels appear. In the Tools panel, select the Brush tool Figure Figure 43 Brush tool The options in the Paint and Brushes panels become active and accessible. In the Brushes panel, select a brush Figure You can change the tip diameter, put it at an angle, change its roundness turn it into an oval , alter its hardness more or less diffusion around its perimeter , and select and update spacing.
Note: Spacing is the distance between the brush marks in a stroke, measured as a percentage of the brush diameter. When this option is deselected, the speed at which you drag to create the brush stroke determines the spacing. Note: Brush Dynamics determines how brush marks are controlled by the features of a pressure-sensitive digitizing tablet, such as a Wacom pen tablet. In the Paint panel, select a color and paint a single line on the solid layer in the Layer panel.
Figure 44 Brushes panel In the Timeline panel, display the solid color layer options, display Effects, and display Paint. Each brush stroke appears in its own layer Figure Drag each brush stroke a different distance to the right to create a stair-step effect, so the strokes appear on-screen in the order you drew them from the bottom of the list to the top Figure Figure 45 Paint example In the Timeline panel, display the Brush 1 Stroke options.
Play the composition and view it in the Composition panel. Figure 46 Timeline panel brush strokes The first paint stroke animates just as you drew it. You can apply the same animation to the remaining strokes by repeating steps 13 and 14 for each of the brush strokes.
Note: To paint on a video clip, drag the clip into the Timeline, double-click to open it in the Layer panel, and paint directly on the video clip. Additional effects are available from third-party developers. As you apply effects to a layer, they show up in the Effect Controls panel and in the Timeline panel. You can apply changes or keyframes in either panel. To complete this task, you need one brief video clip. In the Composition Settings dialog box, name the composition Video Effects, select an appropriate video preset, accept the other defaults, and click OK.
Note: If the video clip you intend to use is longer than 30 seconds, you need to change the composition length in the Composition Settings dialog box from its default 30second value. Any change you make in the Composition Settings dialog box becomes the new default setting.
The Import File dialog box appears. Select a video file you want to apply effects to, and click Open. Figure 48 Composition panel with effect being applied The video file appears in the Project panel. Drag the video clip to the Video Effects composition in the Timeline panel.
The clip appears as a layer and appears in the Composition panel. Position the CTI somewhere in the video clip in the Timeline panel. A box with two diagonal lines appears in the Composition panel Figure Then the effect appears in the Effect Controls panel Figure The video changes in the Composition panel Figure In the Effect Controls panel, select Warp and press Delete.
Effect switch Note: This is another way to add an effect to a clip. The effect appears in the Effect Controls panel. A mesh appears on the clip in the Composition panel Figure In the Effect Controls panel, click a tool such as Twirl. Note that the options below the tool icons change for the selected tool. Drag the tool in the Composition panel Figure Note: The longer you hold a tool in one place in the Composition panel, the greater the change in that location. Figure 51 Effect Controls panel Liquify effect In the Timeline panel, click the triangle next to the clip name to display its options: Effects, Transform, and Audio if the clip has audio.
Display the Effects options and display the Liquify options. They are the same options available in the Effect Controls panel. Note: You need to click a Liquify tool icon in the Effect Controls panel to have its name appear in the tool options menu in the Timeline panel. The effect appears in the Effect Controls panel and applies the color change to the clip in the Composition panel Figure Note: This effect is actually the Solid Composite effect with an animation preset built in.
This is how most presets work. They are regular After Effect video effects with preset values. Their purpose is to make it easy for you to find an effect that does what you want without having to adjust too many options. Figure 54 Colorize-Gold Dip effect animation preset View the Solid Composite effect options area of the Effect Controls panel. Delete the Solid Composite effect.
Presets can save you a lot of time. The creative possibilities are endless. Putting effects in motion with Motion Tracker With the After Effects Motion Tracker, you can accurately, quickly, and painlessly track any number of moving objects and then link effects directly to those objects.
You can track something you want to touch up and then apply that touch-up effect to the motion track a collection of keyframes to save a lot of time. In Adobe Premiere Pro, you used a traveling matte to follow action. Depending on the motion, that required manually setting multiple keyframes.
Motion Tracker does most of that work automatically. To complete this task you need a brief video clip with some action. For our example, we used a DJ, had Motion Tracker follow the action of his forearm over the turntable, and then applied a lens flare to that motion track.
In the Composition Settings dialog box, name the composition Motion Tracker, select an appropriate video preset, accept the other defaults, and click OK.
Select the video file you want to use in this task and click Open. Figure 56 Composition panel, clip with Lens Flare applied The video file appears in the Project panel. Drag the video clip to the Motion Tracker composition in the Timeline panel. The clip appears as a layer. Click the clip layer to display it in the Composition panel.
Make sure the CTI is over the clip in the Timeline panel and the clip is showing in the Composition panel. Analyze Forward button A lens flare appears in the Composition panel Figure Briefly, it consists of a search region outer box , feature region inner box , and attach point plus sign. After Effects Help explains how to adjust these features. Click Edit Target. The Motion Target dialog box appears Figure Note: If you had more than one object or effect to choose from, there would have been additional Effect Point Control selections.
Figure 59 Motion Target dialog box In the Layer panel, click in the search region of the Track Point 1 pointer the outer box and drag the pointer to the object you want to track. Figure 60 Track Point pointer feature region Check that the CTI is at the beginning of the video.
The video plays and the Track Point 1 pointer follows the target you selected. In the Tracker Controls panel, click Apply. Play the Timeline and watch the Lens Flare follow the object on-screen Figure The technique was invented by Max Fleischer in , when he projected motion film images onto a frosted glass panel. He traced the images on the glass, one frame at a time, creating realistic animation. His original equipment was called the rotoscope. For example, an object or character appears in color when everything else is black and white Figure 1.
Page Checking spelling Page Editing text by dragging and dropping Page Using the Story Editor Page Tracking changes Page Adjusting vertical spacing Page Changing fonts and type style Page Fine-tuning Columns Page Changing paragraph alignment Page Creating a drop cap Page Adjusting letter and word spacing Page Setting tabs Page Adding a rule above a paragraph Page Defining printing requirements Page Creating and applying colors Page Working with gradients Page Creating a tint Page Applying colors to text and objects Page Using advanced gradient techniques Page Creating and applying paragraph styles Page Creating and applying character styles Page Nesting character styles inside paragraph styles Page Creating and applying object styles Page Creating and applying table and cell styles Page Globally updating styles Page Loading styles from another document Page Adding graphics from other programs Page Managing links to imported files Page Updating revised graphics Page Adjusting display quality Page Working with clipping paths Page Working with alpha channels Page Importing native Adobe graphics files Page Using a library to manage objects Page Using Adobe Bridge to import graphics Page Converting text to a table Page Formatting a table Page Creating a header row Page Adding graphics to table cells Page Importing and colorizing a grayscale image Page Applying transparency settings Page Adjusting transparency settings for EPS images Page Adding transparency effects Page Importing and adjusting Illustrator files that use transparency Page Applying transparency settings to text Page Working with effects Page Preflighting files Page Packaging files Page Previewing separations Page Previewing how transparency effects will be flattened Page Previewing the page Page Printing a laser or inkjet proof Page Using the Ink Manager Page Setting up an online document Page Adding buttons, page transitions, and hyperlinks Page Converting a print document for online use Page Adding advanced interactivity, animation, and video Page The need for color management Page Synchronizing color settings in Adobe Bridge Page Displaying images at full resolution Page Proofing colors onscreen Page B Page C Page D Page F Page G Page I Page L Page M Page P Page S Page T Page Z Page Starting a book Page Creating a running footer Page Adding a footnote Page Adding a cross-reference Page Synchronizing a book Page Generating a table of contents Page Indexing a book Page Thank you for purchasing this digital version of: Adobe InDesign CS5 Classroom in a Book The print version of this title comes with a disc of lesson files.
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Made in the USA. Hollywood, CA rickyrecords. Using InDesign, you can produce professional-quality, full-color documents on high-volume color printing presses, or print to a wide range of output devices and formats, including desktop printers and high-resolution imaging devices.
Writers, artists, designers, and publishers can communicate to a broader audience than ever before and through an unprecedented variety of media. InDesign supports this with its seamless integration with other Creative Suite 5 components. The lessons are designed so that you can learn at your own pace. Each lesson provides step-by-step instructions for creating a specific project. You can follow the book from start to finish, or do only the lessons that meet your interests and needs.
Prerequisites Before beginning to use Adobe InDesign CS5 Classroom in a Book, you should have a working knowledge of your computer and its operating system. Make sure that you know how to use the mouse and standard menus and commands, and also how to open, save, and close files.
If you need to review these techniques, see the printed or online documentation included with your operating system. Some of the fonts can be found on the product DVD, and some will be installed with InDesign for your convenience. Each lesson has its own folder; you must copy the folders to your hard disk to complete the lessons. To ensure that the preferences and default settings of your Adobe InDesign CS5 program match those used in this book, you should move the current InDesign Defaults file to a different location before you begin working on the lessons.
When you have finished the book, you can return the saved InDesign Defaults file to its original folder, which restores the preferences and default settings used before you started working on the lessons. When you launch Adobe InDesign CS5 after moving the InDesign Defaults file to another folder, a new InDesign Defaults file is automatically created and all preferences and defaults are reset to their original factory settings. Click OK to close the Folder Options dialog box and save any changes.
Only the commands and options used in the lessons are explained in this book. For comprehensive information about program features and tutorials refer to these resources: Adobe Community Help: Community Help brings together active Adobe product users, Adobe product team members, authors, and experts to give you the most useful, relevant, and up-to-date information about Adobe products.
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However, you can also download Adobe Help and language reference content for use offline. You can download the application from www. Adobe content is updated based on community feedback and contributions. You can contribute in several ways: add comments to content or forums, including links to web content; publish your own content using Community Publishing; or contribute Cookbook Recipes.
Find out how to contribute: www. Adobe InDesign Help and Support: www. Adobe Design Center: www. Adobe Developer Connection: www. Resources for educators: www. Adobe InDesign CS5 product home page: www. Adobe certification The Adobe training and certification programs are designed to help Adobe customers improve and promote their product-proficiency skills. You can use Adobe certification as a catalyst for getting a raise, finding a job, or promoting your expertise.
If you are an ACE-level instructor, the Adobe Certified Instructor program takes your skills to the next level and gives you access to a wide range of Adobe resources. Adobe Authorized Training Centers offer instructor-led courses and training on Adobe products, employing only Adobe Certified Instructors.
For information on the Adobe Certified programs, visit www. Specify how you want to be notified and which applications you want to update, and then click Done.
You can easily obtain these updates through Adobe Application Manager, as long as you have an active Internet connection. The Adobe Application Manager checks for updates available for your Adobe software. Adobe BrowserLab is for web designers and developers who need to preview and test their web pages on multiple browsers and operating systems. Unlike other browser compatibility solutions, BrowserLab renders screenshots virtually on demand with multiple viewing and diagnostic tools, and can be used with Dreamweaver CS5 to preview local content and different states of interactive pages.
Being an online service, BrowserLab has fast development cycles, with greater flexibility for expanded browser support and updated functionality. Adobe CS Review is for creative professionals who want a new level of efficiency in the creative review process. Unlike other services that offer online review of creative content, only CS Review lets you publish a review to the web directly from within InDesign, Photoshop, Photoshop Extended, and Illustrator and view reviewer comments back in the originating Creative Suite application.
Unlike collaborating via email and attending time-consuming in-person meetings, Acrobat. Adobe Story is for creative professionals, producers, and writers working on or with scripts.
Story is a collaborative script development tool that turns scripts into metadata that can be used with the Adobe CS5 Production Premium tools to streamline workflows and create video assets. SiteCatalyst NetAverages is for web and mobile professionals who want to optimize their projects for wider audiences. NetAverages provides intelligence on how users are accessing the web, which helps reduce guesswork early in the creative process.
You can access aggregate user data such as browser type, operating system, mobile device profile, screen resolution, and more, which can be shown over time. The data is derived from visitor activity to participating Omniture SiteCatalyst customer sites. Unlike other web intelligence solutions, NetAverages innovatively displays data using Flash, creating an engaging experience that is robust yet easy to follow. You can access CS Live three different ways: 1 Set up access when you register your Creative Suite 5 products and get complimentary access that includes all of the features and workflow benefits of using CS Live with CS5.
Note, this option does not give you access to the services from within your products. See www. This lesson will take approximately 45 minutes. Scroll down to see page 2 of the document. Click each menu to see new commands highlighted.
For example, you can choose to display only the panels you frequently use, minimize and rearrange panel groups, resize windows, add more document windows, and so on.
The configuration of the work area is referred to as the workspace. You can choose among default, special-purpose configurations Typography, Printing and Proofing, and so on and save your own workspaces. By default, the Tools panel is docked essentially, glued to the upper-left corner of the work area. In this exercise, you will undock the Tools panel, change it to horizontal, and experiment with selecting tools.
Drag the horizontal scroll bar to the left to see the Tools panel against the pasteboard rather than the page. When the Tools panel is floating, it can be a two-column vertical panel, a singlecolumn vertical panel, or a single-column horizontal row. The Tools panel becomes one horizontal row. The keyboard shortcuts are shown in the tool tips; for example, the tool tip for the Selection tool has V, Escape next to it.
This means you can press V or Escape to switch to the Selection tool. When you release the key, you revert to the previously selected key. Some tools in the Tools panel display a small black triangle in the lower-right corner to indicate the tool has additional related, but hidden tools.
To select a hidden tool, click and hold down the mouse button to display the menu; then select the tool that you want. Select the Erase tool and notice how it replaces the Pencil tool. This is the default tool that displays. For tools with a small black triangle, click the tool and hold down the mouse button to see its pop-up menu of additional tools.
Click the double arrow again to return to the default Tools panel. Release the Tools panel when a blue line appears along the edge of the workspace. Reviewing the Application bar Across the top of the default workspace is the Application bar, which lets you launch Adobe Bridge CS5; change the magnification of the document; show and hide layout aids such as rulers and guides; change the screen mode among options such as Normal, Preview, and Presentation mode; and control how document windows display.
At the far right, you can select a workspace, search Adobe help resources, and enter CS Live, the video training resources from Adobe. You cannot hide the Application bar in Windows. By default, the Control panel is docked just below the Application bar; however, you can dock it below the document window, convert it to a floating panel, or hide it altogether.
Notice the information in the Control panel. It reflects the position, size, and other attributes of the selected object. The options and commands that now appear allow you to control text formatting. Choose a different option from the Type Style menu to reformat the selected text.
Release the mouse button to make the panel float. A blue line indicates where the panel is going to be docked when you release the mouse button. Reviewing the document window The document window contains all the pages in the document.
Each page or spread is surrounded by its own pasteboard, which can store objects for the document as you create a layout. Objects on the pasteboard do not print. The pasteboard also provides additional space along the edges of the document for extending objects past the page edge, which is called a bleed. Bleeds are used when an object must print to the edge of a page. Controls for switching pages in the document are in the lower left of the document window.
You can import multiple placed images or text files and keep them on the pasteboard until you are ready to use them. This mimics working in a Windows application.
Working with multiple document windows You can have more than one document window open at a time. Click the Arrange Documents button to see all the options. Notice that the other window stays at the same magnification. This configuration lets you see how any changes you make to the white box affect the rest of the layout.
This creates a tab for each window. The original document window remains open. Working with panels Panels provide quick access to commonly used tools and features.
By default, panels are docked at the right side of the screen except the aforementioned Tools panel and Control panel. The default panels differ depending on the selected workspace, and each workspace remembers its panel configuration. You can reorganize panels in various ways. Expanding and collapsing panels In this exercise, you will expand and collapse a panel, hide the panel names, and expand all the panels in the dock. This technique is handy if you want to open a panel, use it briefly, and then close it.
If the panel name has a check mark, it is already open and in front of any other panels in its panel group. You can drag the Info panel icon up or down within the dock to reposition it. Then, you will expand all the panels in the dock. Click the Expand Panels button to collapse and expand the panels. Drag the left edge of the panel dock to collapse the panels into icons. If you click the double arrow again, the panels collapse back to icons without names.
Rearranging and customizing panels In this exercise, you will drag a single panel out of the dock to create a free-floating panel. Then, you will drag another panel into that panel to create a custom panel group. You will also ungroup the panels, stack them, and minimize them. A detached panel is called a floating panel. Release the mouse button when the blue line appears along the perimeter of the Paragraph Styles panel.
This action creates a panel group; you can drag any panel into a group. Release the mouse button when a blue line appears. The panels are now stacked rather than grouped.
Stacked panels attach vertically to each other. You can move the panels as a unit by dragging the topmost title bar. Double-click the area again to expand the panels. Using panel menus Most panels have additional panel-specific options. To access these options, you click the panel menu button to display a menu with additional commands and options for the selected panel. In this exercise, you will change the display of the Swatches panel. You can use the Swatches panel menu to create new color swatches, load swatches from another document, and more.
You can save the menu customization with your custom workspace. Select Swatches and Styles from the Name menu and click Delete. A workspace is a configuration of panels and menus. InDesign features a variety of default workspaces for special purposes, such as Book, Printing and Proofing, and Typography.
You cannot modify the default workspaces, but you can save your own. In this exercise, you will save the customizations from the previous exercises. If necessary, select Panel Locations and Menu Customization. Click OK. Choose each of the other workspaces to see the different default configurations. Click the menus in addition to looking at the panels. If you close the Application bar, on Mac 0S, the zoom controls appear in the lower-left corner of the document window.
Depending on the dimensions of your document and your screen resolution, you may or may not see the entire document onscreen. Using the Zoom tool In addition to the view commands, you can use the Zoom tool to magnify and reduce the view of a document.
In this exercise, you will experiment with the Zoom tool. Notice that a plus sign appears in the center of the Zoom tool. The view changes to the next preset magnification, centered on the point where you clicked. A minus sign appears in the center of the Zoom tool. You can also use the Zoom tool to drag a marquee around a portion of a document to magnify a specific area.
Because the Zoom tool is used frequently during the editing process to enlarge and reduce the view of your document, you can temporarily select it from the keyboard at any time without deselecting any other tool you may be using. When you release the keys, the pointer returns to the Selection tool. Navigating through a document There are several different ways to navigate through an InDesign document, including using the Pages panel, the Hand tool, the Go To Page dialog box, and controls in the document window.
The Pages panel provides page icons for all of the pages in your document. Double-clicking any page icon or page number in the panel brings that page or spread into view.
In this exercise, you will experiment with turning pages. Click the Pages panel icon to collapse the Pages panel. Click the down arrow and choose 1. In this exercise, you will experiment with the Hand tool. The Type context menu lets you insert special characters, check spelling, and perform other textrelated tasks. To display context menus, you position the pointer over a selected object or anywhere in the document window, and click with the right mouse button Windows or press Control and hold down the mouse button Mac OS.
Note what options are available. Notice the information provided about the document when no objects are selected. Click to select individual objects and see how the Info panel changes as you select them. Finding resources for using InDesign For complete and up-to-date information about using InDesign panels, tools, and other application features, use the controls in the Application bar: the Help menu, the Search box, and the CS Live button.
Review answers 1 You can choose commands from the View menu to zoom in or out of a document, or fit the page or spread to your screen. You can also use the Zoom tool in the Tools panel, and click or drag over a document to enlarge or reduce the view. In addition, you can use keyboard shortcuts to magnify or reduce the display. You can also use the Zoom Level box in the Application bar.
For example, you can press V to select the Selection tool from the keyboard; press and hold the keyboard shortcut to temporarily select the tool. You select hidden tools by positioning the pointer over a tool in the Tools panel and holding down the mouse button. When the hidden tools appear, select the tool. You can also access type-specific panels from the Type menu. Drag the tab of any other panel into the tab bar of the new, free-floating panel. A panel group can be moved and resized as one panel.
This lesson will take approximately 60 minutes. Our mission is to showcase our local talent: both in the kitchen and off the farm. Eat healthy! Eat local! Official Edible City Walking Tour Let one of our Urban Foragers show you the variety of edible plants that go unnoticed by the average urbanite. Finish the tour with a salad made from your find. It will eventually be exported to Flash. This design, however, is flexible enough that the document works for Adobe PDF distribution as well.
As you will see in this lesson, the building blocks of an InDesign CS5 document are the same, regardless of the output media. You will view all the pages in this document, and then finish one spread. When the Welcome screen appears, close it. You can scale the preview thumbnails in the Content panel by using the Thumbnail slider at the bottom of the Adobe Bridge window. Enter 8 and click OK.
This is what the page you will be working on will look like when you complete this lesson. We like food. You can now reposition the Pages panel as necessary. This is a common setup for booklets and documents displayed onscreen. Double-click the numbers 12—13 below the page icons to display this spread in the document window.
For example, preflighting can ensure that a document has all the font and media files it needs for proper output to any media— print, PDF, or interactive.
In the past, preflighting was considered a post-production process. With InDesign CS5, however, Live Preflight lets you monitor documents as you create them to prevent potential printing problems from occurring. You can create or import production rules called profiles against which to check your documents. The default profile supplied with InDesign flags issues such as missing fonts and overset text text that does not fit in its text frame. Or, doubleclick the Preflight button in the lower-left corner of the document window.
Using the [Basic] preflight profile, InDesign finds one error, as indicated by the red Preflight icon in the lower-left corner of the Preflight panel. According to the Error list in the Preflight panel, the problem is Text. To continually check your work and view details on issues, leave the Preflight panel open. Then double-click Overset Text for details. Overset text is a common problem during layout because as paragraph styles change and objects are moved and resized, text can accidentally get cut off.
In this case, you will resize the frame to fit all the text. Currently, the document is displayed in Preview mode, which displays artwork in a standard window, hiding nonprinting elements such as guides, grids, frame edges, and hidden characters. To work on this document, you will view guides and hidden characters such as spaces and tabs.
In Presentation mode, the InDesign CS5 interface is hidden entirely and the document fills the whole screen. This mode works well for presenting design ideas to clients on a laptop. You can navigate the pages of the layout using the arrow keys on your keyboard. Then, choose Normal from the Mode menu to display any layout aids you want to use.
Be sure Guides is checked in the menu. The guides do not print and do not limit the print or export area. Displaying hidden nonprinting characters such as tabs, spaces, and paragraph returns helps you precisely select and style text.
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